In our homes, life unfolds through contrast. Here, we create products that reflect you and the way you live: considered, authentic and imperfectly perfect.

The Grova Furniture Series examines the relationship between wood and stone through a family of sculptural tables and pedestals. Crafted from FSC™-certified solid ash and anchored by travertine, each piece is organised around a single, defining gesture: stone rising through wood. This moment of intersection gives the series its character, creating a tension between permanence and softness.

Inspired by mangrove ecosystems, where roots push through the water’s surface, Grova translates this natural phenomenon into a refined, sculptural language. Softly carved wooden forms narrow as they approach the point where the travertine emerges, allowing strength and lightness to sit in balance. The resulting silhouettes feel grounded yet expressive, shaped by careful proportion, clarity, and restraint.

The Evio Vase began with a question: how can the softness of clay be translated through the hand into a finished form? Evio explores how an object can be made again and again while still retaining the presence of its making. The focus shifts from perfect consistency to the traces left by touch, pressure, and time.

Each vase is deliberately pressed and subtly distorted. These actions introduce folds, tensions, and gentle shifts in profile that capture the clay in its wet, responsive state. Through this process, imperfection becomes a consistent and repeatable part of the design. Every piece bears the trace of its making, where what might initially appear imperfect becomes the source of its vitality and character, recording the moment of interaction between material and hand. Placed within a space, Evio sits somewhere between object and gesture, carrying a sense of motion even at rest.

Designing a dining chair presents a particular challenge. It is a familiar object, closely tied to the body, daily routines, and expectations of comfort. The Boda Dining Chair Series approaches this task with clarity and consideration, focusing on proportion and restraint. Rather than pursuing novelty, the design is grounded in refinement, where simplicity becomes the framework for careful study and resolution.

Months were devoted to shaping the subtle profile of the chair, with particular attention paid to the back leg and backrest. The curved rear leg rises naturally into a distinctive double-rail backrest, establishing both structural continuity and visual rhythm. These rounded junctions soften the overall form but reinforce its strength, resulting in a design that is composed without appearing rigid. Comfort is not treated as an afterthought, but as something embedded in the geometry itself.

The Atura Table Series was shaped by a desire to create something composed and enduring, where structure and craft are not just supporting elements but the primary drivers of expression. Simplicity, interaction, geometry, and joinery converge to form an axis of interlocking shapes that define the legs and frame.

From the outset, the intention was to design a piece that remains aesthetically complete both with and without the tabletop. The powder-coated steel frame is composed with the same care and proportion as a freestanding object, allowing the table to stand confidently in its own right. In doing so, Atura reflects a belief drawn from fine cabinetmaking: that the true mark of craft is often found where few think to look. In its hidden joinery and inner faces, Atura reveals itself most honestly.

The Rylith Floor Vase explores the meeting point between digital production and material expression. Crafted from unglazed 3D-printed ceramic, the piece embraces the precision of the printing process while allowing the inherent qualities of clay to remain visible and tactile. Rather than concealing its method of making, Rylith lets the layered structure of the print define its surface and character, where machine precision meets rhythmic tactility.

Designed as a floor-standing object, the vase is defined by a tall, slender profile that introduces height and vertical emphasis within a space. Vertical, undulating ridges flow continuously along the form, catching light and shadow as they rise. Subtle twists in the geometry disrupt the symmetry just enough to create a sense of movement, giving the piece a quiet dynamism without sacrificing clarity or balance.

The Orbo Lounge Chair is composed of three simplified forms: the seat, the backrest and the platform, which lightly touch to create a lounge chair that is both comfortable and sculptural. Conceived through a process of reduction, the design pares the lounge chair back to its essential elements, allowing form and function to meet with clarity and intent.

The silhouette was a guiding force throughout the design process. Defined by playful, rounded geometry, Orbo presents an iconic shape that feels soft, grounded, and immediately inviting. A tubular backrest arches fluidly across the seat, creating a nest-like enclosure that supports the body without appearing heavy. The oversized base anchors the form, reinforcing both comfort and visual stability, while an optional swivel function adds ease of movement without disrupting the overall composition.

Born from clay and formed by stone, the Kiru Glassware Series began with a deliberate reversal of material expectations, asking how glass might carry the memory of clay and how softness can be translated into something durable and precise. Central to this exploration is the Japanese clay-cutting technique Kurinuki, traditionally used to carve solid blocks of clay into faceted, irregular forms.

These hand-carved clay pieces are not conceived as finished objects, but as working models. Each becomes a template for glass production, creating a clear material inversion from clay to glass. What begins as an opaque, tactile surface is later transformed into a transparent one, carrying forward the marks, edges, and irregularities of the original clay form. In this way, the logic of one material is transferred directly into another.

Within the Scarni Furniture Series, texture is treated as an instrument for bringing depth to unadorned surfaces. The series’ textured fronts draw from adze-cut woodworking, where wood is shaped through rhythmic, incremental removal rather than smooth subtraction. Each solid ash component is worked to create a controlled undulation across the surface, leaving behind a pattern that carries both regularity and variation.

As light moves across the surface, shadow settles into the relief, giving the façade a subtle sense of movement and depth. Constructed from FSC™-certified solid ash, each Scarni piece balances precision with material expression. Strong vertical proportions give the series a sculptural presence, while the textured fronts are anchored in traditional principles of craft and making.