Behind the Ceramics Production

With in-depth knowledge and skill, every single ceramic product is made by the dedicated craftsmen with whom we work closely.

 

Surrounded by three mountains, the factory is located in Cháozhou, a charming city situated in the eastern part of Guangdong Province, which also considers itself to be the “Ceramic Capital of China”. The ceramics factory manufacturesdifferent items from hardened clay: anything from tableware and mugs to sculptural vases and lamp bases. Despite the fast-changing world, the 60 employees at the factory remain loyal to the true spirit of craftsmanship at every stage of production.

 

 

 

 

THE MATERIALS

The raw materials used for ferm LIVINGs ceramics are all carefully sourced and quality checked to ensure that every ferm LIVING product is of the utmost quality. The clay used has been vacuumed and de-aired to suck out any air pockets introduced by the clay-making process. Built to last a lifetime, the materials used are extremely durable.

 

THE PROCESS

The ceramic-making process is slow and complex and is handled by several different people, each an expert in their profession. Pottery with delicate or detailed silhouettes often requires a combination of traditional and modern tools and production techniques such as slip casting, hand painting, sponging, trimming, dipping and glazing. The ceramic object is often formed by slip casting, where perfectly mixed clay is poured into a parted mould to harden and dry. The plaster mould expedites the drying process, as it soaks up some of the excess water from the clay. It is a skill in itself to separate the parts of the plaster mould at the perfect time. The clay must be almost completely hardened, yet also still a bit moist for the potter to trim the item.

 

 

 

“As we work with artisans around the world, we believe it is very important to clarify and illustrate how our ceramics are made.”

 

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From this point, a potter begins trimming by hand using a hand-thrown pottery wheel, a damp sponge to clean the object continuously and special metal tools with angled blades and wire loops to smooth the roughness and rims. It takes a lot of practice to recognise the perfect consistency for trimming pottery, and how much to take off without damaging the surface. Before being passed to a colleague, the item is examined for its evenness and aesthetic beauty. The item is now ready for its first firing in a special kiln running at a very high temperature for up to 7-8 hours.

If glazing is required, this is often done by hand by a colleague with special technical glazing skills to ensure a complete coating. After glazing, the item needs a second firing for up to 12 hours to ensure the ceramic has the right shape and longevity. Finally, every single product is carefully inspected.

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“The ceramic-making process is slow and complex and is handled by several different people, each an expert in their profession.”

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